David Bowie called it “the future of music”, and 52 years later, it still feels like it. Hynde was represented by manager Ian Grenfell at Quietus Management, lawyer Andrew Myers at Clintons and accountant Pat Savage at YMU. “Our early songs came out of our real feelings of alienation, isolation, frustration – the feelings everybody feels between seventeen and seventy-five,” singer Joey Ramone said. Still regarded by many as his greatest album to date, Reasonable Doubt asserted Jay-Z as a master freestyle – perhaps the best of his generation – recorded in a studio he compared to a psychiatrist’s couch. Somebody close to her needs to give Hynde a swift kick up the arse in an effort to convince her not to do anymore of these kinds of covers. Of the United States in the late 1970s she moved to England where she in 1978, in the dying days of the British punk movement, The Pretenders. With its power pop credentials and lashings of punk attitude, Pretenders chimed perfectly with the new decade’s musical landscape, and nowhere was this more apparent than on opening track “Precious”. Linda Ryan, Concrete Blonde, Elvis Costello, Graham Parker, Joan Jett & The Blackhearts, Joe Jackson, Marshall Crenshaw, Terms of Use Led Zeppelin were still figuring things out when they released their self-titled debut, yet it is essential because it laid the groundwork for what they would go onto achieve the following decade. Lady Gaga already sounded famous and she acted famous – but that doesn’t mean her music couldn’t stand on its own. They eschewed pre-programmed beats and autotuned vocals in favour of a gritty post-punk approach, and the result was an album that reinvigorated a floundering music industry, and inspired an entire generation of bands. Want to bookmark your favourite articles and stories to read or reference later? This is pure, basic, rootsy rock’n’roll at its best, with new guitarist Robbie McIntosh immediately putting his own mark on The Pretenders’ sound – and yes, that’s Hynde blowing up a storm on harmonica on the outro. Chrissie Hynde of @ThePretendersHQ (@MrsC_Assange) — Chrissie Hynde (@ChrissieHynde) February 17, 2020. Kanye West called it “white crunk music”. Bringing the debut album to a barnstorming close is the mighty “Mystery Achievement”, a full-on, bass-driven rocker with trademark tremolo vocals from Hynde, powerhouse drumming from Chambers, and Honeyman-Scott demonstrating the full range of his virtuosity. Not every great debut album is defined by whether the artist has landed on their “sound” by the first track. When she's fronting the Pretenders, there's no one like Chrissie Hynde: few in rock can beat her fiery passion and vision. Few debuts have changed the course of rock music as Hendrix did with his. Aside from joining the headliner on a version of " Stop Draggin' My Heart Around," Hynde is leading the latest version of The Pretenders through a whirlwind of their classic songs, as well as a sampling of new stuff she developed with Dan Auerbach of The Black Keys on the 2016 album Alone. From the start, Hynde was the undisputed leader of the band -- its lead singer and songwriter, its heart and soul. There’s at least a handful of classics on the album, none more so than “Middle of the Road”, on which Hynde touches upon the trappings of fame and the passage of time while resolutely facing up to the demands of motherhood. A virtual unknown to rock fans just a year before – Jimi Hendrix used Are You Experienced to assert himself as a guitar genius who could combine pop, blues, rock, R&B, funk and psychedelia in a way no other artist had before. 2) “Back on the Chain Gang” (Learning to Crawl, 1984). Among the “too cool for school” alt-rockers who spurned the glitz and glamour of fame, Oasis asserted themselves as the definitive rock and roll stars. Tattooed Love Boys. The following year’s Pretenders II was not as consistent start to finish but featured some of Hynde’s most memorable songs, and arguably the highs were higher than anything on the debut. He raps in low, furtive tones, interrupted by voicemails from his family (his mother asks him pleadingly to return her car) that reinforce the familial themes. However, the first incarnation of The Pretenders was beset by tragedy, with the drugs-related deaths of Honeyman-Scott and Farndon in 1982 and 1983 respectively. There’s a beautiful melody, chiming riffs aplenty from Billy Bremner and characteristically warm vocals from Hynde, who celebrates her own resilience on a song that was a hit single in 1982. The latter made it clear they weren’t positioning themselves as people to look up to: “Do I look like a mother***ing role mode?” he demands on “Gangsta Gangsta”. A new wave of British guitar bands was already being pioneered by the likes of The Libertines, Bloc Party and Franz Ferdinand when the Sheffield-formed Arctic Monkeys arrived on the scene. End User Agreement. Up The Neck. After her first marriage, she married Lucho Brieva on July 10, 1997, and also got divorced in 2002. The song was written by Pretenders leader Chrissie Hynde, and reflected her growing interest in environmental and social concerns; the lyrics take the form of an autobiographical lament, with the singer returning to her childhood home of Ohio and discovering that rampant development and pollution had destroyed the "pretty countryside" of her youth. At less than 30 minutes, Ramones’ debut injects their rage, their disillusionment and their frustration directly into the listener’s veins. Private Life. Songs like “Twist and Shout” and “I Saw Her Standing There” have an energy that reflects the youthful vim of the band themselves, who were raring to go following the number one single from which the album takes its name. Speaking of its initially low sales figures, Brian Eno observed that, nonetheless, “everyone who bought one of those 30,000 copies started a band”. Witness the dull collaborations with UB40 on Sonny and Cher's "I Got You Babe" and Dusty Springfield's "Breakfast In Bed." It was an early example of the power the internet would hold over the music industry – propelling them from an unknown indie band on MySpace to the top of the charts in the space of six months. There’s a heady anticipation as she speaks the lyric in a low, seductive murmur, before switching to a cocky swagger as the electric guitar line kicks in. All Rights Reserved. Separating Chrissie Hynde from the Pretenders is an impossibility. With sympathetic production by The Black Keys’ Dan Auerbach, Alone was an impressive collection, the opening talk-sung title track emphatically reasserting Hynde’s independence and ballsy persona. Forty years ago, the band achieved the comparatively rare achievement of topping the UK album and singles charts at the same time, Find your bookmarks in your Independent Premium section, under my profile. You hear the rattle of the steel train that opens the record, along with the cassette tape hissing the verse from a teenage Nasty Nas on Main Source’s 1991 track “Live at the BBQ”: ‘When I was 12, I went to Hell for snuffing Jesus.”. “The album will last. Chrissie Hynde wrote Middle of the Road, I'll Stand by You and The Wait. Alex Turner’s sardonic and keenly observational lyrics on songs like “Fake Tales of San Francisco” and “When the Sun Goes Down” had fans clamouring to get into their early shows. The ultimate Pretenders song and the prime example of Hynde’s flair for a winning melody and a catchy pop hook, “Brass in Pocket” became the first new number one of the 1980s and launched the band to almost overnight fame. Most of the guitar on this record was provided by Mick Jones, because Strummer didn’t think technical ability was punk enough. When she's fronting the Pretenders, there's no one like Chrissie Hynde: few in rock can beat her fiery passion and vision. It did the trick. Stop Your Sobbing. Many found Hynde’s sassy, self-aggrandising portrayal of a gal who wasn’t going to take no for an answer irresistible. By. The Pretenders was a rock and alternative band, with leader Chrissie Hynde whose solo works are included on this list. His exquisite rendering of Leonard Cohen’s “Hallelujah”, his melismatic singing on “Grace” and the church-like hush of “Lover, You Should Come Over” – all of this and more carved out a rich legacy that ensures Buckley’s music will never fade. That’s even without the essential contributions of drummer Mitch Mitchell and bassist Noel Redding, who handed Are You Experienced the rhythmic bridge between jazz and rock. The thrashed guitar intro takes us back to punk’s year zero of 1977 and the song has all the breathless rush of punk, although it soon heads off on a path of its own without losing any of its fiery intensity. The things he witnessed and experienced were poured into Ready to Die – one of the best debut albums in hip hop – delivered in his signature throaty vocals with wit and humour. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. JavaScript is disabled in your browser settings. “It was life-changing.”, How good can rap get? 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